Showing posts with label Magic. Show all posts
Showing posts with label Magic. Show all posts

Saturday, 16 May 2020

The Illustrated Golden Bough | Sir James George Fraser #Readalong


Given the ridiculous amount of books I have on the go at the moment, the idea of starting yet another, seems rather ridiculous. But I struggle to pass up any opportunity to join a readalong at the best of times, but when it also means reading along with Jean and Cleo, then how could I possibly resist!

Jean @Howling Frog is hosting the spontaneous readalong in question. Part of the appeal is the lack of firm reading dates. Jean and Cleo plan to read 2-3 chapters a week, however my edition is The Illustrated Golden Bough: A Study in Magic and Religion. It's not only full of pretty colour pictures, but it's also the abridged version with only 221 pages (plus indexes).

First published in 1890 in two volumes (then three volumes in 1900 and finally a whooping twelve volumes in 1906-15), my one volume edition was published in 1996 with eleven chapters. Which means that my edition does not have the chapter on the crucifixion (that Fraser removed from subsequent editions after being criticised for including a Christian story in his comparative study of myths and pagan rituals and religions). A disappointing fact, that may lead me to search out the missing chapter online somewhere, to round out my reading journey. 
(I have found the Project Gutenberg ebook here).

I've now had The Golden Bough lurking on my bookshelves since the year 2000. I started reading it back then, but my interest fizzled out part way through. I'm hoping that Jean and Cleo can help me finally finish this book.

Frazer was born in 1854 in Scotland. He was a social anthropologist. His work describes the three stages of human belief from primitive magic to religion to reason & science. He said,
Books like mine, merely speculation, will be superseded sooner or later (the sooner the better for the sake of truth) by better induction based on fuller knowledge."
His critics were not only upset by the inclusion of the Christian story, but one Edmund Leach, "one of the most impatient critics of Frazer's overblown prose and literary embellishment of his sources for dramatic effect" said that,
Frazer used his ethnographic evidence, which he culled from here, there and everywhere, to illustrate propositions which he had arrived at in advance by a priori reasoning, but, to a degree which is often quite startling, whenever the evidence did not fit he simply altered the evidence!
Frazer was a social anthropologist interested in speculative human psychology; Leach (1910-1989) was a social anthropologist interested in functionalism and kinship structures. As Frazer predicted, his ideas were superseded by newer, modern methods of reasoning and science. Many of Frazer's ideas may now be outdated, but the conversation had to start somewhere.

I'm curious to see what he has to say. 

As a frustrated amateur anthropologist from way back, I feel that I should warn Jean and Cleo that I'm about to enter into a topic and subject matter that I have been known to obsess over ad nauseam. Blogger beware!

My first caveat is that I'm not always convinced by the idea of continual progress dressed up as a positive forward march for all humankind. Evolution, change and adaptation - yes, by all means - but it's not necessarily superior or better; it's just different - a sign of modification and acclimatisation - not ascendancy. 

My other bias is that I view all religion as part of our human urge to create a life narrative - a story that seeks to satisfy our need to ascribe our lives with a higher meaning and purpose. We're all looking for something bigger than us, something to belong to that gives our lives significance. 

Thousands of years ago, the gods inhabited the heavens. They were powerful, unpredictable and not of this earth. Then, curiously, within about 500 yrs of each other, the main civilisations on this planet at that time, all grew tired of these distant, uncaring, demanding gods and turned to something, or someone closer to home. Jesus, Buddha and Mohammad changed the spiritual narrative into a more personal one. It became a story about people, here on earth, with human frailty and flaws as well as the potential for goodness and kindness and altruism. 

Some wonderful stories have grown out of these traditions, but so too, have many poor ones. Ones that no longer serve us well. In the end, though, it's whatever works for you. You have to find the story that gives your life significance. Just don't try to convince me that your story is somehow better than any other story. Like all stories, some people are into it and some aren't. Some win awards and some don't. Some are hidden gems and some would probably be better if they got pulped. Trying to convince anyone that your story is more right than any other, will only lead to discontent, vexation and hostility.

That's the personal predisposition I bring with me whenever I delve into the topic of myth, magic and religion.

I'm extremely curious. I don't feel it necessary to believe any of it. My lens is impersonal and pragmatic. I'm like an interested outsider, looking in, trying to understand how something works and what it looks like in practice. I'm looking for the patterns, the rituals & rites, and the timelines. But mostly, I'm looking for the reason why. 

I'm endlessly fascinated by the stories we tell ourselves. What do they reveal about the times in which we live, what need do they fulfil, how are these stories used (for good and for evil) and how do these stories get converted into our daily routines and practice? 


Post-Introduction update:
  • I should have read the Intro by Robert Temple before publishing this post.
  • He posits a kinder way of viewing Frazer's work than did Leach.
  • Temple clarifies Frazer's anthropological position as an interest in taboos and totemism.
  • He believes that Frazer took 'the grand view' surveying 'world history as a whole'.
  • Temple saw Frazer's ability to 'change his hypothesis if he saw it to be inadequate' as one of two 'exemplary characteristics.' The other being his 'disregard for excessive specialisation'. 
  • He concluded with, 'Frazer was essentially a nineteenth-century thinker, and approaches to social anthropology have changed....some of his views are no longer compatible with current thinking. However (his work) remains a vital part of cultural history. It is a unique archive and work of literature, and Frazer's splendid prose style is a pleasure to read.'
  • A far more generous appraisal of The Golden Bough and Frazer, I'm sure you will agree.

Wednesday, 12 December 2018

Australian Junior Fiction Catch Up

The run into Christmas and the silly season, leaves me tired, frazzled and depleted most years. This year I'm attempting a calmer, kinder approach. As a first line of defence I started interspersing junior fiction reads amongst my regular reads several weeks ago. I've been saving all the interesting looking ones for months now, so that I would have something 'just right' for this time.

Great junior fiction is the perfect antidote for the general madness and mayhem of the silly season. It's (usually) light and easy to read, sometimes interspersed with delightful illustrations and (usually) full of wonderful language. And almost all writers for younger people feel duty bound to end with hope. Bad and sad things may happen to their characters along the way, but there is always hope and wonder and love.

The Slightly Alarming Tale of the Whispering Wars by Jaclyn Moriarty is book 2 in her newly named Kingdoms and Empires series. The name of the series didn't make an appearance on the first book, so I was curious to see what this might mean for book 2 and any future books.


I loved Book 1 The Extremely Inconvenient Adventures of Bronte Mettlestone by Jaclyn Moriarty and had very high hopes for this one, so I was a little disconcerted to read the first few chapters with no Bronte in sight.

What was going on?
Where were we?
And who were all these new people?

The first couple of pages of this generously illustrated book show us maps of the various kingdoms within this world. Some of these names were familiar from Book 1, but other than the whispering element, nothing else seemed familiar.

TSATOTWW begins in the little town of Spindrift where we meet two groups of kids - one group from the orphanage, the other from an expensive, exclusive boarding school. A friendly sporting rivalry between the two schools quickly blows up when one of the children suddenly disappears. The Whisperers have kidnapped another child.

A tentative alliance is formed, a plan of rescue is hatched and Bronte makes an unexpected reappearance. Mystery, adventure and a little bit of magic is the name of the game.

I love this series for mature 9+ readers a lot and I hope that Moriarty has many more books planned for the Kingdoms and Empires. Due to the different time frame and setting in this book, it could be read as a stand-alone story, but you'll want to go back to see how Bronte came into the story in the first place. It was a savvy move by Moriarty to expand the horizons and history of this series to include the entire kingdom and I look forward to seeing where and when we end up next.

Inheritance by Carole Wilkinson is for slightly older readers - more 11+ through into the early teen years. It's a fabulous time slip story set in country Victoria.


Nic has been left by her dad at her Grandad's old homestead property while he goes off with his band to play the cruise ship circuit. With no wi-fi, no friends and loads of attitude, Nic starts exploring the big old home one room at a time. Eventually she discovers a locked room with no key in sight.

A fortuitous toe-stub whilst swimming in the dam and an old letter in a copy of Pride and Prejudice changes everything. Nic discovers dark secrets about her family history that have carry-over effects onto today's local history and her own family story.

Wilkinson weaves in indigenous issues, women's rights and early settler history into this engaging yet thought-provoking time travel story.

The Adventures of Catvinkle by Elliot Perlman is now top of my delightful dog story pile. Officially this is a book about a cat - the secret loving, baby shoe dancing, flying cat, Catvinkle, but it is also just as much about her new found friend (shhh! don't tell anyone that a cat and a dog are friends!) Ula the dalmatian.


Set in Amsterdam, Perlman (you may know him from his adult books, especially Seven Types of Ambiguity and The Street Sweeper) has turned the bedtime stories he used to tell his kids into a charming animal story for us all to relish.

There are LOTS of things to adore about this book, but the most endearing are the voices of Catvinkle and Ula. Perlman has got inside the heads of these two animals and they speak and act just as I imagine a cat and dog of these types would speak and act if they could!

The thing these three fabulous books share is complexity. The authors do not talk down to their young readers, they use interesting language, create nuanced, believable characters and they take you on a journey that is utterly compelling.

And then there is The Bad Guys Episode 8: Superbad by Aaron Blabey.

Personally, I'm getting pretty tired of their antics by now, but they continue to entertain and get 5-7 yrs old excited about reading, so I'm not going to complain too much.


After an excursion into outer space, then back in time to the dinosaurs, we are firmly back in the present with our world being taken over by the evil Mr Marmalade and his evil alien forces. And it wouldn't be the modern world without a female team of warriors to assist our bumbling bad guys.

In Superbad we learn that Agent Fox is actually part of a much larger, well organised group called The International League of Heroes. Her colleagues include Agent Kitty Kat, Agent Hogwild, Agent Doom, and Agent Shortfuse. They all have special talents and skills and they mean business. They help the Bad Guys learn control of their new super powers...until Marmalade turns up and throws everything into chaos...again!

Six Bad Guys' trading cards are in the back of the book, with 6 more promised to come in book 9. Blabey is onto a good thing, and he knows it!

Episode 1 The Bad Guys
Episode 2 Mission Unpluckable
Episode 3 The Furball Strikes Back
Episode 4 Apocalypse Meow

Monday, 26 March 2018

Nevermoor #1 The Trials of Morrigan Crow by Jessica Townsend

I've been a bit slack about reading kid's books for work this year. I'm really enjoying all the classics I've been getting into instead. But this weekend I was feeling a bit angsty and in need of something light and easy. I also spotted during the week that Nevermoor by Jessica Townsend had won the Waterstones Children's Book Prize for Younger Readers. She's up for a slew of Australian book awards as well so I thought it was high time to check it out.


Quite simply, it's a ripper of a story.

But it does run the risk of being compared to other well-known books in this genre - the 'cursed' child, on the outside, ignored, rejected by her unsympathetic family. A strong sense of injustice and loneliness.. A rite-of-passage birthday. Portents and signs. A special school. A letter. A stranger to the rescue. Unknown dangers. The promise and excitement of a new, hidden world where Morrigan gets a chance to belong. An evil presence, banished but threatening to return. Quests and challenges to find the best of the best. Hidden talents. The power of friendship and kindness.

Sound familiar?

There's nothing wrong with using all the tropes available to you, but I did find them rather obvious at times.

Despite this, or maybe because of it, Nevermoor fitted like a glove. Tropes not only help the writer, but the reader also, to feel comfortable and at home with a genre. Townsend has created a richly imagined world and a slightly goth-like protagonist. The opening sentence is dramatic and instantly engaging - 'The journalists arrived before the coffin did.’

The main characters will hopefully be fleshed out and given more nuance and backstory as the series develops. At the moment everyone seems to be there simply to engage with Morrigan.

Townsend 's creation of the umbrella underground was interesting and helped to explain the Australian cover. She also included lots of action, snappy dialogue and left me wanting more.

I'm always fascinated by cover choice.
I really liked the proof cover jacket - mine was even simpler than this one. It only had the one word - Nevermoor - blazened in shiny gold with shiny gold sparkles all around it.


The official Australian cover gave the story a Mary Poppins feel. Personally, not my favourite choice. It has put off many male readers.


The UK cover makes the book look like it's for a much younger reader than the 10+ I'd recommend.


The US cover went for a lighter version of the Mary Poppins cover. I spotted the cat in the window for the first time in this cover though.


The hardcover edition - a nice mix of my favourite proof cover with the UK one.


The Scandinavian cover makes Jupiter North look like Willy Wonka and suggests that the umbrella's could also be weapons, not just a mode of transport.


The German cover has a Philip Pullman feel. I rather like the elegant blue frame.


The Serbian cover has gone very Goth and makes Morrigan look very unwell.


And finally - the promise of book 2 in October!


Nevermoor has also been shortlisted for the Indie Book Awards (winners TBA March 26)
CBCA Notable book (shortlist March 27)
Longlisted for the ABIA Awards (shortlist TBA April 19)
Shortlisted for the Readings Children's Book Prize (winner TBR late April)

Saturday, 26 December 2015

Harry Potter and the Prisoner of Azkaban by J.K. Rowling

Ahhhh, this is more like it.

After the slight disappointment of my Chamber of Secrets reread, it has been very pleasing to feel myself back in the warm embrace of a long lost friend with The Prisoner of Azkaban.

From the first page, Rowling hooked me back into Harry's magical world.

She kept the recap of previous stories to a minimum and wove these bits into the story in a far more subtle and natural way (than she did in CoS).

I think one of the major differences with this book compared to the first two in the series, is that it no longer feels like we're adults reading a kids book. There is a darker edge creeping into this story.

Let's face it, those Dementor's and their soul-sucking habits are just plain freaky.

This is also a proper teenage coming-of-age story now in the making.
And typical of that 13-14 yr old experience is the desire to rebel against adult authority just as they discover that those same adults are not the all-knowing, all-wonderful figureheads of their childhood. Shades of grey, complexity and nuance begin to creep into the characterisations and story lines.

The reason these books work so well and win over the hearts and imaginations of children and adults alike is how safe they are. Behind all the scary You-Know-Who Voldemort stuff is a traditional boarding school story, where adults impart knowledge and the children learn to become socially accepted members of their community all wrapped in a heart-warming message about the power of love.

In scary times, the world turns to stories that make them feel better and help them to believe in a better world.

Hogwarts is such a world.

Harry Potter and the Prisoner of Azkaban was the winner of the Whitbread Children's Book of the Year in 1999 (this prize is now called the Costa Book Award). As fas as I know, it was the only one of the Harry Potter series to win a major book award. Please correct me if I'm wrong.

If you have read The Prisoner of Azkaban recently and would like to leave the link to your review in the comments below, please do. I'd love to read your thoughts.

Amy's review @Lost in a Good Book which includes some fascinating fun facts.
#PotterBinge #XmasinSummer

Saturday, 19 December 2015

Harry Potter and the Chamber of Secrets by J.K. Rowling

There is often a heated debate about whether you like or loathe book five of the Harry Potter series. From memory, I really enjoyed The Order of the Phoenix.

For me, the one that makes me go 'meh' is this one.

To my mind, The Chamber of Secrets falls flat on it's face after the thrill and promise of The Philosopher's Stone.

The Chamber of Secrets annoys me from the get-go with it's lengthy recap of the first book.

It's the one thing I truly loathe about reading a series. I feel that the loyal readers of a series, in order, should be rewarded by the author launching straight into the new story. Anyone coming in late, should feel like they're missing out on something....and go back and read the books in order to find out what it all means!

But maybe it's just me?

The Chamber of Secrets feels a bit like a history lesson - we get the history of Hogwarts and Voldemorts back story as well. We learn a few more spells and charms like polyjuice potion. It feels like a set-up to get us to the rest of the stories - where the real action and drama will be.

If I'd been reading these books as they were published, I probably wouldn't have felt a huge anticipation about the next book.

The humour often felt contrived or forced,
Ron's old shooting star was often outstripped by passing butterflies.
But I did LOVE that a little bit of my story featured in this book. Really!

At the beginning of chapter ten Professor Lockhart has Harry helping him to act out his capture of a werewolf - officially named the Wagga Wagga werewolf.

Wagga Wagga is a large inland city in NSW. It was my home for four years whilst I attended uni (& co-incidentally, it's where I met Mr Books - be still my beating heart!)

Have you discovered the origins of any of the other names used by Rowling in her books?

I'm also re-watching the movies as I finish each book. Part of the fun is annoying my family with the "that wasn't in the book" or "they left this bit out" comments all the way through!
We all agreed that the Chamber of Secrets is not our favourite HP movie. The young actors were just at that awkward age when their acting abilities hadn't quite got there yet. Some of the scenes were over-acted and lacked subtlety, but maybe that was the Director's fault?

Don't get me wrong. I didn't hate this book.
I just didn't love it as much as the others.

Leave the URL for your review of The Chamber of Secrets below - I'd love to see what you think too.

Amy @Lost in a Good Book's review with fun facts is here.
This post is part of #PotterBinge and my #Xmas in Summer challenge

Saturday, 12 December 2015

Harry Potter and the Philosopher's Stone by J.K. Rowling

I will be rereading my Harry Potter books over the next few months or so as part of Andi's #PotterBinge.

There's not much that I can say about these books that hasn't already been said many, many times, so like Andi, and Katie before her, my posts for these rereads will be my random thoughts and observations.

I will avoid major plot spoilers as much as possible, but there will be references and allusions to certain events and character developments.

My first happy, happy joy moment occurred when I used this readalong to treat myself to a copy of the new fully illustrated (by Jim Kay) edition of The Philosopher's Stone.

Jim Kay has a fabulous website where he discusses how he came to create some of the pages.

For example, the sorting hat patches (below) came from a book of fabrics that Kay saw in the Royal Museum, Edinburgh years ago.

My understanding is that there will be a new fully illustrated hardback edition of each book over the next ten years (the last three books being split in half). I was also thrilled when I read the illustrator notes on the jacket sleeve to discover that Jim Kay was the person responsible for the amazing, eerie pictures in A Monster Calls by Patrick Ness.


My first 'WTF is that about' moment occurred when I realised that the UK/Australian edition of this book is called The Philosopher's Stone and the US edition is called The Sorcerer's Stone.

What's that about?

A philosopher and a sorcerer are very different character types?

The Philosopher's Stone (lapis philosophorum) is also a real, albeit, ancient and mythological symbol that has been the inspiration for writers, scientists and philosophers down through the ages. It has been linked to the likes of the biblical Adam, as well as Plato and Thomas Aquinas.

Does the word you choose to use change the meaning of the story?

At one point in the story, they discuss the real-world links to this ancient alchemy. What do they do in in The Sorcerer's Stone version at this point?

A sorcerer is a magician or wizard, although in medieval times the term was also used to describe someone who practised science in a laboratory.

Does the choice of word make one book appear more 'magic' and 'other-worldly' than the other?
Does this mean that the US version misses out on some of the delicious, tantalising 'could this be real' feeling?

Part of my love for Harry Potter is its 'world-within-a-world' set up.

All the references to real-world places and ideas such as the Philosopher's Stone make these stories feel plausible. There is a sense that if you could just find the right portal, you too, could enter Hogwarts.

I love how Rowling blurs the lines between our world and Hogwarts.
A simple boarding school, coming-of-age story about the power of love, captures our hearts and imagination because Rowling makes our mundane, everyday, real-world seem to be suddenly full of magical possibility.


Because I was curious about this change, I did a little research.

Most of the comments seemed to reflect the belief that American kids would find the word 'sorcerer' to be more fun. One reference alluded to a popular US drug of the 70's being called the philosopher's stone and concern that parents would not buy their children a book with this word in the title.

Several English words were also changed in the book - from clothes, food, common phrases and of course, words like mum, colour and favourite.

It has been reported that Rowling regrets agreeing to these changes, but I guess a debut author doesn't have much say in these things.

I wonder if these changes dilute the very Englishness that Rowling embedded the Hogwarts world in?

Are their any US bloggers who've read both versions of the book to see what, if any, impact the differences have?


On to other matters....

I enjoyed the foreshadowing that Rowling used throughout The Philosopher's Stone.

*The early mention of Sirius Black when Hagrid borrows his motorbike to bring baby Harry to the Dursleys.
*Hagrid's mention of Quirrell's year off  "ter get some first-hand experience" in the Dark Arts.
*Harry's dream on his first night at Hogwart's about Quirrell and his turban.

I was curious about Harry Potter Day.
What happens on this day? How is it celebrated/commemorated? When is it?


There were also many more tests to get through to the Philosopher's Stone than I remembered from my first read and the movie.

During the reread it is also obvious how these tests were designed to play to their individual strengths - which we had become familiar with throughout the book - Harry's flying/snitch catching abilities, Ron's chess skills and Hermione's logic and reasoning.

One could almost feel a little manipulated by Rowling at this point, except she cleverly suggests that it was, in fact, Dumbledore who devised these tests knowing full well that Harry would be the one to go through them.

I'd love to hear your thoughts as you reread these books too, so feel free to leave a link to your HP reviews in my comments below.

A big thank you to Andi for me giving me the excuse I needed to re-enter the world of Harry Potter.

For a review with lots of fun Potter facts check out Amy's posts @Lost in a Good Book.
#PotterBinge #XmasinSummer