Showing posts with label Slavery. Show all posts
Showing posts with label Slavery. Show all posts

Friday, 14 December 2018

Washington Black by Esi Edugyan

Reading Washington Black by Esi Edugyan was like eating a big bag of sweets. Some were good, some not so good. And after gorging myself on the first half, I found the second half a bit too much take.


The first half of Washington Black was unputdownable. I loved the engaging voice of the child narrator. His early life on the plantation was brutal yet fascinating. Edugyan included some strong, descriptive passages in these early chapters and I found the secondary characters just as intriguing.

Washington's fear and mistrust of everyone was more than understandable, but the constant tension built up by this fear with every change or arrival of a new character eventually lost it's impact by overuse. The tension was continually being built up but never quite realised....although perhaps, this is what it's like to live in a state of slavery in Washington's world.

For me the tale started to lose it's way when Wash and Titch took off to the Arctic in search of Titch's father. It reminded me of what happened when I read Elizabeth Gilbert's The Signature of All Things where 'something went a little off kilter'. I began to doubt my narrator, I became sceptical and even a little cynical. I became aware of the writer and felt manipulated at times. I was being asked to go on a journey that had lost its believability and maybe even lost its way.

Billed as a coming of age story or a life after slavery story, neither felt predominant to me. With such a strong start on the plantation, I expected to be taken on the struggle as Wash's came to terms with his newfound freedom. But I never got a strong sense of what life was really like for a freed slave in western 'civilisation' - the injustice, unfairness, the everyday prejudices, burdens and guilt. The existential angst wasn't fully realised.

And Wash's personal growth felt too much too soon - it was too big a jump from uneducated child slave to scientific, emotionally intelligent young man. The soaring heights of the first half floundered and crash landed.

Titch's emotional arc didn't make sense to me either. He had me right up to the point of  his disbelief/fear/hope/joy at being reunited with his father after thinking that he was dead. I was incredibly moved by this exchange. Titch obviously had his own struggle with personal freedom, yet his sudden disappearance was the first moment when I felt caught in the author's web.

There were a few tiny touches of surrealism or mysticism which were left unexplained and unresolved. They added a fable-like element to the story, and maybe that's were the problem lies. In the end I wasn't sure if this was an allegory or an historical fiction, adventure story. I felt like I was getting mixed messages by the end.

I will certainly read more books by Edugyan - when her writing soared, it dazzled and some of her minor characters were so well-drawn and vivid, that I was disappointed when the story moved on without them. Potential and possibility abounds.

Giller Prize winner
Man Booker shortlist
Longlisted for the 2020 International Dublin Literary Award.

Tuesday, 12 June 2018

Sugar Money by Jane Harris


A big thank you to the Walter Scott Prize for historical fiction for shortlisting Sugar Money by Jane Harris otherwise I may never have stumbled across this gem of a story. Based on real events in Grenada in 1765, we follow young Lucien and his older brother Emile as they attempt to convince the hospital slaves to runaway, on behalf of the French priests of Martinique who used to own them when the French were in control of Grenada.

It's a story that shows up Anglo-European greed, manipulation and disregard for human life.

A few horrific, disgusting acts of violence were described by the slaves that almost defy belief. They were hard to read. I can't imagine how they were borne by the people they were inflicted on. Except that the scars inflicted during this time still linger on today. How it is even possible for one human being to think up these atrocious acts of torture let alone commit them against another human being is one of those things I have struggled with all my life? Man's inhumanity to man seems to know no bounds, whether it's in concentration camps, gulags, refugee camps, the slave trade or the modern-day human traffickiing problem. We've moved on from that time, but not that far.

Fortunately, Sugar Money is also a story about family, loyalty and courage.

The bond between the two brothers is complicated by the usual jealousies and age differences. Lucien's voice (that narrates the story in the patios of the time) is funny and vibrant. The story reads like a boys own adventure story (thanks to Lucien's attitude) with lots of action and tension to keep the pages turning. It's a period and place that I know very little about, so I was on tenterhooks the whole time, fearing what might happen next and suspecting that a story about slavery was never going to end happily ever after.

Issues around white appropriation of a black story are bound to be raised when a slave narrative is written by a young white woman - is this just a softer version of the greed, manipulation and disregard that allowed slavery to occur in the first place? I can't quite subscribe to this idea, but I appreciate the concerns. Yes, I'm another white person discussing this issue, but I learnt a lot about the horrors of the slave trade via this novel. Stuff I may never have learnt otherwise.

It is this particular curly issue that has caused me to delay this reader response for so long. In the end, though, I believe that any book or story that allows the reader to walk in another's shoes or bear witness to human tragedy is a powerful tool towards understanding and empathy, whatever the race, religion or gender of the author. Not every single survivor can bear to talk about their suffering, and nor should we expect them to relive their trauma for our edification. Add ancestral guilt (or pride) to the mix and we could talk around and around this topic until the cows come home.

Harris' story has got under my skin. I was horrified and fascinated in equal measure. She brought the cast of secondary characters vividly to life, as well as the lush landscape of the Caribbean, but it was the wonderful voice of Lucien that gives this book the sparkle and magic that will make it live in my memory for a long time to come.

3/20 #20booksofsummer (winter)
15℃ in Sydney & over 33 ml of rain
19℃ in Northern Ireland

Saturday, 25 July 2015

Gone With the Wind - check in

So close...the end is in sight...only three chapters to go.

But for now, this is the official check-in post for chapters 51-60 of Margaret Mitchell's Pulitzer Prize winning Gone With the Wind.

The birth of Bonnie sees lots of changes occurring in the Butler household. Mammy has finally accepted Rhett and Rhett has been smitten by his beautiful baby girl. After a rather compromising afternoon with Ashley, Scarlett decides that she does not want any more babies (to preserve her 17 inch waist and to enjoy a similar marriage to Ashley and Melanie). So Rhett is banished to the spare bedroom.

Wade is upset because he is not invited to the birthday parties of the Atlanta old guard families. Rhett decides that Bonnie will never know this kind of pain and he sets out to win over all the old families.

Scarlett continues on her self-absorbed, self-obsessed path and finds herself alone once again with Ashley. Curiously she has discovered that her feelings for him are no longer of the raging passion kind, but more of a loving, comfortable friend. But it still looks very bad, when India and Mrs Elsing walk in on Scarlett being comforted in the arms of Ashley at the lumber mill.

What follows is one of the most uncomfortable, awkward birthday parties in the history of mankind at Melanie's. Scarlett desperately tries to get out of it, but Rhett forces her to attend to face her shame. But, of course, dear, loving, unsuspecting Melly stands by Scarlett with ferocious tenacity.

At home, a night of unbridled, drunken, rough sex leaves Scarlett bewildered and slightly shamed by how much she enjoyed herself. Rhett's drunken declaration of love satisfies her age old desire to finally have Rhett exactly where she wants so she can manipulate him. Except that things don't go exactly to plan.

Poor Scarlett is still as bewildered by other people as she has ever been. She is completely unable to see other people's perspective or understand that other people have different motivations to herself. As a result, everything that happens is always a surprise or a shock to her and everyone is mystery.

Rhett ups and leaves her, taking Bonnie on an extended holiday to visit family in Charleston. Melly sticks to Scarlett like glue to ensure that the Old Guard of society continue to accept Scarlett on Melly's terms.

After a few months Scarlett realises she is pregnant again, but for the first time, with a child she is actually looking forward to having. She thinks a boy might appease Rhett and return their marriage to what it was before.

Sadly, when he does return home, miscommunication, fear and an argument result in Scarlett falling down the stairs. For a while she is gravely ill, suffering a miscarriage, broken ribs and a high fever. Rhett is distraught with guilt, fear and love.

Scarlett's recovery is slow, but after a brief visit to Tara she comes back home, pale and still weak, but much better in mind and spirits.

In the meantime, young Bonnie has been learning to ride her pony. Bonnie has become quite willful and spoilt and she insists on taking a jump that is too high for her pony. Tragically, she falls and breaks her neck.

Rhett, in his grief, shots the pony before getting rip roaring drunk. Scarlett blames Rhett for Bonnie's death and lashes out with her bitter, cruel words, sending Rhett into a downward spiral of grief, self-hatred and drunkenness.

Mammy has to call on Miss Melly's help when Rhett refuses to allow Bonnie to be buried because she will be scared of the dark. Scarlett and Rhett are unable to comfort each other as their marriage cracks wide open under the pressure. Rhett turns to alcohol and Belle Watling for support and Scarlett realises that she has nobody but Melly to turn to.

This section is full of tragedy and despair.

Watching Rhett and Scarlett's marriage disintegrate is heart-breaking because they both do actually love each other and are so alike it should be easy for them. But pride, fear and an inability to be open and honest drives wedge after wedge between them. They continually bring the worst out in each other and they seem to enjoy baiting each other with their cruel, spiteful words.

The frustration continues to be Scarlett.

Her inability to assess, evaluate or understand anyone's point of view except her own has moved me from pity to infuriating impatience to eventually not giving a damn (sound familiar?)
She might be spunky and determined and hard-working, but sadly her selfishness, manipulative behaviours and outright meanness makes these good qualities count for naught (in my opinion). There even comes a point when you believe that she is finally getting what she deserves! She doesn't even bring out the best in her readers (& I am no Miss Melly)!!

Of course, Scarlett is a brilliant protagonist.

Full of drama, contradictions and provocations, she is a constant source of light, dark and movement. We don't have to like her; I'm not sure we're even meant to, but we can admire her at times, even if that admiration is grudging and tinged with disbelief at times.

How is your relationship with Scarlett progressing?

If you have missed any of the previous check-ins but would like to post your latest link here, please feel free to add them. Sorry this post is a bit rushed, but as regulars to my blog will be aware, we are in the middle of moving house. Finishing this post today has been my little treat/break inbetween boxes and cleaning out the shed (ugh!!)

I've left this linky open for a month to give folks plenty of time to jump on in.

With only three chapters to go until the end, let me add here how much I have enjoyed this readalong. Being able to read such a huge chunkster in such fine company with such a generous time frame between each check-in, has made this a very easy and do-able event.

Would anyone else like to host the last check-in and wrap-up post on the 1st August? I may have time next weekend or I may just be a blubbering mess curled up amongst the detritus of packing boxes!
Please let us know in the comments below if you'd like to host so we all know where to head to when we're finished.

I'm using #gwtwreadalong on Instagram if anyone wants to post pics of where they've been reading GWTW.


Schedule: 

Friday May 1: first post – just to enthuse about how excited we are to begin. 
Saturday May 16: first check-in on Chapters One through Ten
Saturday May 30:  check-in on Chapters Eleven through Twenty
Saturday June 13:  check-in on Chapters Twenty-One through Thirty
Saturday June 27:  check-in on Chapters Thirty-One through Forty
Saturday July 11:  check-in on Chapters Forty-One through Fifty
Saturday July 25:  check-in on Chapters Fifty-One through Sixty
Saturday August 1:  check-in on Chapters Sixty-One through Sixty-Three (final discussion)

Saturday, 27 June 2015

Gone With the Wind - check in

This is my Gone With the Wind check-in for chapters 31-40 for Corinne's GWTW Readalong.

The start of Part Four sees Scarlett, Tara and the South trying to find their feet after the war. The hardships continue with heavy taxes, the fear of losing Tara and the death of Gerald. Scarlett moves to Atlanta, remarries, falls pregnant and starts up a new & very successful business.

This was obviously a difficult time in the Southern states full of great changes, hardship and insecurity. Resentments built up, divides were created and animosity flourished. So many men dead or maimed, so many single women with no chance of ever being married. Brought up in luxury and ease, so many couldn't cope with the new conditions - their "mainsprings are busted" as Will so elegantly stated at Gerald's funeral.

Mrs Fontaine elaborated on this idea when she said -
The rest have gone under because they didn't have any sap in them, because they didn't have the gumption to rise up again. There never was anything to those folks but money and darkies, and now that the money and darkies are gone, those folks will be Cracker in another generation.

Atlanta 1864

Naturally Scarlett was unimpressed when Grandma Fontaine included Ashley in this group, claiming that "if the Wilkes family pulls through these hard times, it'll be Melly who pulls them through."

It's not only Rhett and Will who see how things really lie with the Wilkes'!

And you just know that Scarlett's willful and deliberate refusal to see Ashley for who he is, will lead to big trouble down the track. She is so practical and realistic about everything except love! Once again Grandma Fontaine nails it when she says to Scarlett, "you're smart about dollars and cents. That's a man's way of being smart. But you aren't smart at all like a woman. You aren't a speck smart about folks."

This is also the first section of GWTW where I have really questioned Mitchell's motivations and intentions. Brimming with overt racism and justification, we see Mitchell's (rich, white) characters claim the roles of victimhood and martyrdom.

Was Mitchell playing devil's advocate, writing tongue-in-cheek or being ironic? Was she trying to simply show how the South reacted to the Reconstruction period including the birth of the Ku Klux Klan? Was she just being obtuse or romantic? Or did she truly believe what she wrote in this section?

Chapter 37

The South had been tilted as by a giant malicious hand, and those who had once ruled were now more helpless than their former slaves had ever been.
Georgia was heavily garrisoned with troops and Atlanta had more than its share. The commandants of the Yankee troops in the various cities had complete power, even the power of life and death, over the civilian population, and they used that power. They could and did imprison citizens for any cause, or no cause, seize their property, hang them. They could and did harass and hamstring them with conflicting regulations about the operation of business, the wages they must pay their servants, what they should say in public and private utterances and what they should write in newspapers. They regulated how, when and where they must dump their garbage and they decided what songs the daughters and wives of ex-Confederates could sing....They ruled that no one could get a letter from the post office without taking the Iron-Clad oath, and in some instances, they even prohibited the issuance of marriage licences unless the couple had taken the hated oath.

There was so much about this particular paragraph (& the entire chapter) that was offensive.

How on earth anyone could believe they were actually worse off than a slave when they still had the freedom to live in their own homes, with their own families. Where they could be educated, employed and, well, free!

After the war, Atlanta
The Yankees may have had the power of life and death during the reconstruction period, but many of the Southern slave owners also had had the power of life and earth over their slaves for generations...and they had used it. Their slaves could be imprisoned or punished, especially whipped, without any recourse to a fair or legal justice system.

The slaves had no property as they were THE property. Strict class systems were put in place to keep the slaves divided amongst themselves (house slaves versus farm hands). They were not payed wages and they had no free speech. They worked long, hard hours in all weather conditions.

They lived in cramped, poor conditions. Teaching slaves to read and write was illegal in most places. Singing certain songs could see them severely punished. They were only allowed in some areas to associate as a group for purposes of worship. They could be sold and separated from their families forever. They couldn't communicate with family or friends on other estates and their marriages were considered illegal.

The Southerners justified this system by claiming that the slaves were just like children. That the slaves weren't capable of managing their own lives by themselves.

Some quick research on google has indicated that smaller plantation owners could often be more charitable towards their slaves as closer relationships did occur. But bigger plantations, that had absentee landlords or were ruled by overseers, were usually much harsher environments. Rape and sexual abuse of female slaves was common.

It could be possible that Mitchell was trying to show how the Southern mind worked during this period - that she was helping us to 'walk in their shoes'.
Peachtree Street 1864
But as I kept reading, it felt like pure, ugly justification. At one point it even felt like Mitchell was trying to excuse the early Ku Klux Klanner's - that they were merely defending their women folk from "Carpetbaggers who steal money and negroes who are uppity" and that they were only reacting to the injustice of their situation.
 
They could see nothing wrong with taking the law into their own hands. They were unable to see that any of the issues with the freed slaves actually stemmed from the years of inhuman treatment that the slaves had suffered under the slavery system. They actually believed that the slaves lives were better under slavery - that they had done their slaves a favour by removing them from Africa and converting them to Christianity.

They couldn't see how this wonderful, benevolent system that worked so well for them, might not have been viewed as so wonderful from the other side. Even when all their slaves ran off as soon as they could during the war (except for a few house slaves who were more deeply integrated into the families lives) they still didn't see it as an indictment on the slave system.

Curiously Mitchell has never told us where Mammy, Dilcey, Pork, Prissy or Uncle Peter slept or in what conditions. We are told how grateful Scarlett is that they stayed loyal to the family, but there is no interest in their personal lives except for how it serves the family.

Peachtree Street 1866
I've also found the whole Will Benteen side story fascinating.

In the movie, he is left out completely. Therefore, there is no adequate explanation for how Scarlett manages to keep Tara going whilst she lives in Atlanta with her new husband, managing her new business.

In the book, Will's presence makes this transition much easier for Scarlett and a more logical plot choice by Mitchell. Will provides Mitchell with a way to show us how much things have changed since the war. That a poor, white Cracker could now be on equal terms with an old plantation family highlights how far the societal mores of the South have shifted.

Will's proposed marriage to Suellen also allows us once again to see how different (some might even say, progressive) Scarlett's thinking is compared to most of her neighbours, even whip-smart, practical Grandma Fontaine.

There is so much more to say about Scarlett, but I'm saving my Scarlett post for the very end when all the evidence is in! I'm beginning to believe, however, that I will need a Masters in Psychology to fully appreciate Scarlett's complexities!

What are your views on the obvious racism on display throughout GWTW? And in particular, in this section?
Can we view it as a product of its time? Not okay, but comprehensible within the historical context?
Or does Mitchell's cruel self-justification, ignorance and martyrdom make this book irrelevant to modern audiences?

In Corinne's absence, this week's check-in is being hosted by TJ @My Book Strings.