Showing posts with label Feminism. Show all posts
Showing posts with label Feminism. Show all posts

Wednesday, 28 October 2020

A Fairy Tale Revolution


The series, A Fairy Tale Revolution, consists of four picture books from Vintage Classics, that 'remix and revive' well-known fairy tales and give them a modern, feminist twist. Featuring four amazing UK authors - Jeanette Winterson, Kamila Shamsie, Malorie Blackman and Rebecca Solnit - flexing their authorial muscles in a new format.

Like most fairy tales, however, they are not really designed to be read with or by very young people. Fairy tales are cautionary tales offering up dire consequences to those who do not take heed. They're stories created to keep you safe by alerting you to the dangers of jealous partners, controlling partners, death, grief and loss. They warn you of the consequences of selfish behaviour, greed, laziness, arrogance and self-indulgence.

The old tales, pre-Disney, do not mince words. 

If you don't pay attention, you could end up dead. You could be eaten by a wolf, enslaved, lost forever in the forest, cast out of your community, orphaned or maimed. Sometimes it was a stranger you had to beware, but even way back when, everyone knew that the biggest danger lurked much closer to home. 

Domestic violence and the awful way that families can treat each other have always been the main causes for concern in fairy tales. Dressing them up as a story, only took away some of the power and pain. The Brothers Grimm struggled with this harsh image of family life, changing many of the original stories from being about mothers to stepmothers, and fathers to devils, to soften the blow.

Wicked, cruel, selfish mother-figures and strict, controlling, violent father-figures haunt the pages of most fairy tales. Obsessive husbands, manipulative wives, lying, lazy children - families were viewed as toxic danger zones. Safe families could change at the drop of a hat, or the death of a parent. The big, bad world was full of injustice and inequity. 

These were adult stories designed to frighten and instruct. There were always consequences, but not necessarily the ones you would expect. They urged you to be vigilant. Fairy tales highlighted some of the evil, wicked and unfair practices that exist in our world.

Most of the modern retellings sanitise these older tales. The lazy little pigs don't get eaten by the wolf, they merely run to the next house. The wolf doesn't get boiled alive, he jumps out the window and runs away. Cinderella's stepsisters don't lop off parts of their feet to fit into the slipper, birds no longer peck out their eyes. The consequences for being lazy, inept or selfish are watered down. Our darker selves are ignored or discounted, while all the bad stuff is removed, onto an 'other'. The modern retellings take away the morals embedded in the old tales about our own personal development, our dual natures, the good and bad inside us all. All the bad is put out there, away from us. The lesson now is that we're all fine just as we are. The bad people are out there, out of our control, but nothing to do with us. We don't have to change, we just have to be cautious and keep out the baddie (other).

Many years ago I devoured Bruno Bettelheim's The Uses of Enchantment. I was fascinated by the idea of children returning to a story over and over again to satisfy some inner conflict. I saw this in my teaching career all the time. Certain stories resonated with some groups and individuals in a very deep way. They had to be read multiple times over an extended period of time, until the need was met.

These stories were always the 'darker' ones. Stories that were considered scary or sad. Stories where someone died, got lost, faced down a fear or suffered a major disappointment. Books like Koala Lou, Dogger, Harry the Dirty Dog, The Spooky Old Tree, The Deep, The Gingerbread Man (where the GM got eaten by the fox), The Hobyahs, The Story About Ping, The Giving Tree, A Lion in the Meadow, and The Story of Ferdinand.

When I was a child, I was obsessed with two particular fairy tales - Snow-White & Rose-Red and Rumpelstiltskin. Bettelheim, observed that fairy tales about siblings often “stand for seemingly incompatible aspects of the human personality.” There was also something in there about trust, and appearances being deceiving and our wild natures that haunted me as well. While Rumpelstiltskin taught me about the perils of bragging, and making bad decisions and why it's important to name the evil forces acting upon us, to take away their power. 

Much of Bettelheim's research has been debunked in more recent times, but his ideas about the darker elements in stories, their psychological impact and how they resonate with children, still holds true. 

These new retellings of Cinderella, Bluebeard, Hansel and Gretel, and The Ugly Duckling are deep, dark and delicious. They are adult stories dressed up in picture book form. 

Jeanette Winterson in Hansel & Greta turns the known story into an environmental tale of greed, destruction and wickedness. Her word play is delicious and witty. This was probably my favourite story of the four.

Malorie Blackman gives us the very modern Blueblood complete with video surveillance and mobile technology. Nia Blueblood is the great-great-great-great-great-granddaughter of Bluebeard. She is a vigilante outing men who have abused other women and gotten away with it...until now. This was dark and shocking and subversive. I loved it!

Kamila Shamsie's Duckling, is a disturbing tale about body-shaming, fear of the other and bullying. The fate of the outsider, the refugee, and the loner are considered in this sad tale of belonging and being true to yourself.

Cinderella Liberator by Rebecca Solnit maintains a more traditional structure until Cinderella and the Prince just become good friends who help each other to be their best selves. Transformation, asking for help and helping others are the main themes. Economic independence and liberation from traditional roles are seen as being good things for both sexes. 

All four stories share feminist twists that delight the reader. At least, they delighted this reader. They also feature woodcut illustrations in the style of Arthur Rackman, by Laura Barrett. Check them out, I think you will love them too.

Saturday, 4 May 2019

A Vindication of Accidental Feminists

A couple of months ago I was fortunate enough to receive a reading copy of Jane Caro's Accidental Feminists from Melbourne University Publishing. I immediately tucked it into my weekend bag to enjoy with my morning walks and coffee breaks.


It's a slowish way to read a book, I know, but that's the best way for me to enjoy and take in most non-fiction titles.

I had got to about the halfway mark, when I spotted that Ruth @A Great Book Study was hosting a month long readalong during April of Mary Wollstonecraft's A Vindication of the Rights of Woman. After reading Romantic Outlaws by Charlotte Gordon last year, I had downloaded Vindication onto my ipad for another time. Suddenly that time was NOW!

As I was ploughing my way through her rather dense, convoluted prose, in early April, I decided that a more interesting way (for me) to proceed would be to compare and contrast one of the very first feminists texts with one of the most recent.

Ruth has done a wonderful job of summarising and commenting on A Vindication over four posts on her blog, but the entire text is also freely available from the lovely people at Project Gutenberg.

A Vindication was first published in 1792, and written as a response to Edmund Burke's Reflections on the French Revolution, in which he argued for the preservation of traditional men's rights. Wollstonecraft challenged this point in her essay, to include equal rights for women as well.

In 2019, Jane Caro has written a book about the women of her generation (the Baby Boomers) who didn't expect to change the world, but accidentally found that the world they had been brought up to live in, no longer existed. They were the first generation of women to have earned money working for most of their adult lives, and thanks to advances in medicine and technology, were able to take control of their own bodies, in a way that no previous generations could ever have imagined possible.

Religion and tradition (as decreed by men) were the ways that society had 'kept women in their place' throughout time, history and culture, which meant that Wollstonecraft had to carefully couch her words to not upset this status quo. To make her ideas palatable to men (and no doubt, to many women too), she had to ensure that any so called god-given traits were acknowledged. She had to find a way to state her truths within the strict guidelines of the religious beliefs of the time.

As such, she declared that,
Nature, or to speak with strict propriety God, has made all things right; but man has sought him out many inventions to mar the work.

Once she had established that god was perfection and that mankind was the one who had messed things up, she could go on to discuss all the ways that had happened and what could be done about it. With the idea that this would allow mankind (and womankind) to advance to a state closer to god's original perfection.

227 years later, Caro is able to squarely state that it is,
The male anxiety around women's bodies (which) has dictated what women can wear, where they may go, whom they can marry and what they can do with their lives.

Not god or religion.
The rest of her discussion on religion and women is covered in a later chapter - Slags, Sluts, Gossips and Staceys - where she discusses the rise in fundamentalist groups of all faiths, and their impact on women's rights, and even their lives.
Their God is a vengeful God. He (and he is very definitely a He) is about command and control....This murky soup of seething undercurrents, taboos, judgement, ignorance, shame and fear around women and their sexual pleasure is nasty, sticky and toxic....There are a lot of very angry men out there, and we ignore them at our peril.


Both women strongly advocate education as the way forward. For men and women.

Wollstonecraft had to tackle Rousseau's idea of only educating women to please men (!), claiming that intelligent, well-educated women actually benefited the whole family given their important role as mother, teacher and care-giver to her family. Whereas Caro's main issue is not with the getting of wisdom, but with the incredible number of women completing their high school and tertiary education at the top of their classes, yet still not getting the top jobs.

Physical differences are explored. Wollstonecraft is keen to stress that even though men may be physically stronger, it doesn't make them superior. Many of the perceived 'weaknesses' of women were merely due to the enforced inactivity that was expected of young girls and the restricting clothes they had to wear.

The 'weaker sex' syndrome is still a factor for Caro,
somehow...we have decided that this difference in height, weight and upper-body strength is indicative of other perceived weaknesses, including intellectual, psychological and emotional weakness, and ability to endure....(this) idea of feminine weakness and fragility had a great deal to do with making men feel big and strong by comparison.

There is no denying that our bodies are built differently, but it doesn't make one body type better than the other. Women can play sport and be active just like some men. And men can be gentle, nurturing and caring just like some women. Our different bodies will simply work this out in different ways.

Beauty and self-image naturally comes up as a big discussion point for both women. Given how often our feminine nature and womanly wiles are held up as sometime to aspire to (to attract men) or to be wary of (in case they attract too many men!) and certainly not something to be enjoyed, by women, at least, it is still one of the hot topics in feminist literature.

Wollstonecraft says,
Taught from their infancy that beauty is a woman's sceptre, the mind shapes itself to the body, and roaming round its gilt cage, only seeks to adorn its prison. Men have various employments and pursuits which engage their attention, and give a character to the opening mind; but women, confined to one, and having their thoughts constantly directed to the most insignificant part of themselves, seldom extend their views beyond the triumph of the hour.

While Caro writes,
We've been trained since birth to believe that our looks are the most important thing about us. Girls are routinely complimented on their appearance rather than their capabilities....Arguably, the pressure to be gorgeous has intensified in this era of Instagram and Snapchat...this grooming starts painfully young.

As the step-mum of two young adult males, it has been curious and (often) disturbing to see just how much this focus on image is affecting both sexes now. The male Insta pages are full of buff, tanned men with shirts off, showing off their pecks, whilst the girls are equally tanned but in bikinis with pouting lips.

Caro spends quite a bit of time on the 'past our used by date' issue, which is fair enough, given that most of the Boomer women are now in their sixties and older, and this is their experience right now.

As an X-er, I recognise so many of the issues and concerns that Caro talks about, but I also see that my generation has experienced some things differently. My generation has benefited greatly by the first wave of women going through the workforce, the path has been easier, less trail-blazing, but many of the hurdles are still there - perhaps becoming more subtle and underground than of old though.

The men of my generation have also changed a lot. They are the first gen to embrace hands-on fathering and housekeeping in large numbers and the first gen of men to ask their work places to consider their family commitments.

The millennials (Gen Y) are in the thick of things right now. The few thirty year olds I know, male and female, are sleep deprived and struggling to have it all. Their embracing of technology and social media is overwhelming and future discussions around this and gender equity will be fascinating.

The Gen Z's I know seem to fall into two categories, those wanting to pair off early, perhaps looking for emotional security and surety in a world of divorced parents and casual jobs. And those determined to stay single as long as they can. Many of the young girls I've spoken to are happy to have relationships, but they don't want to live with anyone or get married, because they don't want to have to take care of anyone else except themselves.

Sadly, this new gen still have the same old stories about unwanted comments and attention from men that all of us had to deal with since way before Caro, Greer, Woolf, Wollstonecraft et al ever dreamed of writing a word.

Chastity, purity and modesty are regular themes throughout Wollstonecraft's essay. It is the double standard still being railed against by women today. Woman should be attractive and feminine to attract men, but not too sexy or flirtatious and she certainly shouldn't enjoy it. And if she does, then she is the one who will be judged and condemned and considered morally bankrupt, while the man gets off scott free. The lives and romances of both Mary and her daughter and perfect examples. They have both been roundly denigrated throughout history for their ungodly, loose morals and behaviours, but at worst, the men they shared their messy lives with were called creative, free-living Bohemians.

As Caro explains, one of the roles women learn at a young age is that it is their job 'to sexually police the relationship.'
It was up to us how far what was then called 'petting' went, and if it went too far, we were the ones to blame. It was our job...to be sexually alluring and up for a fair amount of sexual play (otherwise, we were 'frigid'). Yet we were also supposed to intuitively know exactly when and how to draw the line....Teenage boys were no more ready for full-on sex than teenage girls, I think, but it was part of the masculine disguise they were forced to wear that they could not be one to say no. That was our duty. We were protecting ourselves...but we were also protecting them and taking responsibility for them - the beginning of a lifetime of doing so.


One of the difficulties faced by any book talking about a society, a group or a whole culture is the tendency for generalisations. Both Wollstonecraft and Caro travel down this path. It's an unavoidable journey. But as modern readers we understand that the references to 'we', 'women', 'men', 'us' are generic and that we all live our individual lives with a great deal more complexity, ambiguity and nuance than the general suggests. Yet our lives are still lived within the confines of the society we are born into, whether we see and agree with these boundaries and traditions or not.

As Caro says in her Introduction,
Women are not a job lot (but)....what we share is the burden of assumptions that are made about what a woman should be like, what she should do, say, wear, think and express. To be a woman, no matter your background, is to have to fight for your territory in a way that most men never have to.

Many man (and women) are starting to see that the societal and cultural constructs around masculinity are just as limiting for men as the ones for women are.

Those of us living in the modern, western world have come a long way since 1792. The problems and issues of immediate concern to Wollstonecraft are different to those of Caro's generation. But they still exist, it's just that the goal posts have shifted. The journey is not over. Change happens generationally and will continue to do so, whether we want it to or not.

To finish, I will return to a section from my reading of Romantic Outlaws last year that struck me.
It is a sobering tale, the rise and fall of both Mary's, since it so clearly points to how difficult it is to know the past and how mutable the historical record can be. For almost two hundred years, Wollstonecraft was written off, first as a whore and then as a hysteric, an irrational female hardly worth reading....Mary Shelley, on the other hand, would be condemned for compromising the revolutionary values of her genius husband and her pioneering mother. Viewed as a woman who cared more about her place in society than about political ideas or artistic integrity, she was discounted as an intellectual lightweight.... 
At the end of her life, Mary Shelley could never have suspected that she and her mother would be treated so differently by history.... 
To be themselves. The hurdles, the critics, the enemies, the insults, the ostracism, the betrayals, the neglect, even the heartbreaks - none of this had stopped them.

That's all women ask. Is to be themselves.

Thursday, 20 July 2017

Fantastically, Fearless, Rebel Women in Books

It would be nice to think that books were one of the places where equality of access and representation were available to both sexes, especially given that over half the authors of all books written are now women. Sadly, though, it is still not the case.

Reviews of books in leading newspapers and journals around the world still show that women lag behind men in pretty much every arena (VIDA 2015 Count). There was also the recent video showing a young girl and her mum pulling books out of their library bookshelf that featured male only protagonists (human or animal), books with shared male/female protagonists, books where the girls barely spoke or failed to participate in the action etc, until they were left with the handful of books featuring positive female protagonists.

Recently the Little People Big Dreams series hit the Australian market and showed that there is a huge market for stories about girls. Especially books about successful, resourceful, smart girls.

This year at work we have had three new books about women and girls that have gone ballistic. We've had trouble keeping up with the demand as the publishers scrambled to bring in more stock from overseas and reprint.

Fantastically Great Women Who Changed the World by Kate Pankhurst is a picture book for the 4+ age group.


Pankhurst (a descendent of the suffragette Emmeline Pankhurst) has compiled a book celebrating the life and achievements of 12 fantastic women.

Featuring Emmeline, Frida Kahlo, Coco Chanel, Gertrude Ederle (the Channel swimmer), Mary Anning, Mary Seacole (nurse), Agent Fifi, Sagagawea (translator and guide for Lewis and Clark), Rosa Parks, Anne Frank, Amelia Earhart, Jane Austen and Marie Curie, each double page spread is illustrated in a cartoon-like way with speech bubbles, maps, text boxes and loads of humour.


The book finishes with a 'Gallery of Greatness' full of inspirational girl power quotes and a challenge to its young readers about how they might, too, change the world.

For the older reader (12+), Rachel Ignotofsky has collated Women in Science: 50 Fearless Pioneers Who Changed the World. 

Beginning in 350 CE with Hypatia, an astronomer, mathematician and philosopher in Alexandria, she travels around the world to highlight women scientists throughout the ages.


Each woman's history is discussed, plus any obstacles that she may have had to overcome to do what she did. But the main focus is on their incredible accomplishments. 

Ignotofsky has also included pages of timelines, statistics on the gender gap in science and lab tools.


Ignotofsky has a new book coming out later this month called Women in Sports: 50 Fearless Athletes Who Played to Win. 

Like her science book it will feature famous, internationally renown women as well as lesser-known champions plus more stats on female participation in sport, pay and muscle anatomy.

I can't wait to see which group of women she tackles next.


Finally we come to the best-selling Good Night Stories for Rebel Girls by Elena Favilli and
Francesca Cavallo.

This is the book that has had the most attention and the biggest buzz. Aimed at the 9+ market, Favilli and Cavallo have indeed created 100 Tales of Extraordinary Women. 


Most of the bios begin with the 'once upon a time' tag and tell a fairly simplified, and dare I say, sanitised version of each woman's life. For example Anna Politkovskaya's page finishes with 
Anna continued to risk her life until she died, writing the truth in order to make the world a better place.

A quick wikipedia search reveals that she was in fact murdered in the elevator of her block of flats in 2006. She had also been held, beaten and tortured previously. Her murderers have never been brought to justice.

There is nothing wrong with making a story of someone's life - after all, we all do it with our own lives, in one way or another. Each bio is also only one page long. Only so much information can be included.


Favilli and Cavallo have clearly chosen to view all these women and their achievements through a positive, inspiring, feminist lens that is suitable for younger readers. They have avoided language that echoes those used by victims or martyrs.

And for anyone who, like me, feels that the story is too brief or too safe, they can always do a quick google to flesh out the details!

One of the big pluses about Rebel Girls are the generous full page portraits of each of the women. Sixty female artists from all round the world contributed illustrations for the book. They have used a wide variety of styles and media which makes the book a visual feast as well as being inspirational.


Goodnight Stories features a large number of modern day women who are still alive and still achieving great things. Which begs the question, what's next?

For starters, the authors are planning a second book of Rebel Girls, and as they did with the first book, they will be using Kickstarter crowd funding to do so.

The Big Dreams, Little People series published by Frances Lincoln, continues with three new releases
- Emmeline Pankhurst, Audrey Hepburn and Rosa Parks - due in the Australian market before Christmas.

My other favourite girl power picture books include:

The Paperbag Princess by Robert Munsch
Princess Smartypants by Babette Cole
Louise Builds a Boat by Louise Pfanner
Ada Twist Scientist by Andrea Beaty
The Princess in Black series by Shannon & Dean Hale