Showing posts with label 1851. Show all posts
Showing posts with label 1851. Show all posts

Wednesday, 4 March 2020

Moby-Dick | Herman Melville #Classic


Well, I did it!
My seven-month #slowread of Moby-Dick is officially done and dusted.
If you've ever wondered if you should make the time to read this classic chunkster, then I say yea!
And I cannot recommend highly enough the #slowread approach.
Moby-Dick is improved and enhanced by taking your time.

The Atlantic | Aug 20, 2013 | David Gilbert
You cannot read this book for speed. It is designed for the long haul, the chapters never too long, naps seemingly built into the text. It is, dare I say, a voyage.

My journey through Moby-Dick has been one of various obsessions.
Early on, I got caught up in articles written to celebrate the 200th birthday of Melville. Why is this book so beloved and so reviled at the same time? Why is it considered so great by so many?

After I started reading, I went off on a Herman Melville obsession. I needed to know as much about the man himself. His life, his purpose, his influences. Biographies and articles were scoured. Who was this man and what were his obsessions? What was he trying to achieve in writing Moby-Dick? What were his demons? Was he Ishmael or Ahab? What was his legacy?
“Melville died in New York on September 28, 1891, blissfully unaware that, in the years to come, so many people would leave the hyphen out of 'Moby-Dick.”
― Richard Armour,
The Classics Reclassified.

Then I got caught up in the religious symbolism.
I had read a lot about his religious background and the number of biblical references through-out Moby-Dick, but I became more and more surprised (and curious) about the growing number of negative comments about Christianity in the book. What was going on here? Was this a personal tug-o-war between faith and how it was practised? What did Melville believe? Was this a crisis of faith? Or was this someone abandoning his strict childhood doctrine for a more modern, scientific, humanist approach to life?
And so, through all the thick mists of the dim doubts in my mind, divine intuitions now and then shoot, enkindling my fog with a heavenly ray. And for this I thank God; for all have doubts; many deny; but doubts or denials, few along with them, have intuitions. Doubts of all things earthly, and intuitions of some things heavenly; this combination makes neither believer nor infidel, but makes a man who regards them both with equal eye.

Themes became my next obsession as I researched all those allusions and metaphors about lines, threads and weaving. The repetition of life, from unknown beginning to unknown end. The Loom of Time. Who was controlling or designing the fabric of life? Which led to digging deeper into fate and destiny and free-will.
Is Ahab, Ahab? Is it I, God, or who, that lifts this arm? But if the great sun move not of himself; but is an errand-boy in heaven; nor one single star can revolve, but by some invisible power; how then can this one small heart beat; this one small brain think thoughts; unless God does that beating, does that thinking, does that living, and not I.

Shakespearean influences captured my imagination next. From the mad fools to the prideful tyrants. Amusing ditties and stunning word-play. The influence on Melville was obvious.
It was a clear steel-blue day. The firmaments of air and sea were hardly separable in that all-pervading azure; only, the pensive air was transparently pure and soft, with a woman's look, and the robust and man-like sea heaved with long, strong, lingering swells, as Samson's chest in his sleep.

And, it's funny.
That's something they don't always tell you about Moby-Dick.
So many of the stories and set-pieces are designed to be ridiculous, amusing or ironic. Ishmael is often (unknowingly) hilarious. Pip plays the fool. Stubb and Flask are funny.
Think not, is my eleventh commandment; and sleep when you can, is my twelfth.

However, by the time I reached the end of this epic journey, where we only had 3-4 chapters that actually featured Moby Dick in action, I realised that this was a book all about the journey. It's about all the stuff we learn about ourselves and the world as we travel through it. It's about working out our purpose in life. It's about obsession.

Moby-Dick is full of all that marvellous big picture stuff that you can really mull over, often hidden amongst all the details. And there were LOTS of details. One of Ishmael/Melville's purposes in life was to gain and show off share knowledge!

Although by the end, we come to understand that Moby-Dick is actually Ishmael's grief memoir. It was his way to honour the memory of his friends and colleagues who went down with the Pequod.

The advantages of the #slowread were numerous.

It gave me ample time for research, it made the 'tricky' chapters easier to digest, and I was able to read other books in and around it.

But the main benefit was how it created a richer, deeper, more immersive reading experience - one that I will never forget. Within that, was those 'tricky' chapters. I came to realise that all those tedious-seeming chapters on whale facts were actually a chance for Ishmael/Melville to offer up a bit of life wisdom/philosophy. If I had been doing my usual #fastread I would have missed most of these moments and therefore missed a huge part of the beauty and fascination of this story.

For instance the chapter we were all warned about - Chapter 32: Cetology - finishes (eventually!) with Ishmael/Melville comparing his book on whales to the grandeur of Cologne Cathedral that took centuries to complete,
For small erections may be finished by their first architects; grand ones, true ones, ever leave the copestone to posterity. God keep me from ever completing anything. This whole book is but a draft—nay, but the draft of a draft.

What an undertaking! What a vision! What a colossal insight into the mind of Melville!

Chapter 60: The Line - a chapter seemingly all about rope - finishes with,
All men live enveloped in whale-lines. All are born with halters round their necks; but it is only when caught in the swift, sudden turn of death, that mortals realize the silent, subtle, ever-present perils of life.

Deep, huh? And one of Melville's favourite themes - are our lives dictated by fate, destiny or chaos? Do we have free-will or choice or is everything pre-determined?

These little zingers sneak into almost every chapter. If I'd been skimming, I might have missed them. And it's all these little zingers that are at the heart of this story. They give us a peek into Melville's mind - all his doubts, insecurities and foibles are on show. It feels like he threw everything that he had into this book. Mind, body and spirit - he gave us everything - all his flaws and his magnificence. To take as we will.

Writing this book was an act of courage.

It takes another act of courage to read it.


A big thank you to Reese, Rick, Denise, Laurie, Katherine, Ruth, Deb, Lisbeth, Chris, Meredith, Silvia, Fanda, Marian, Sharon and Lisette for your company over the past 7 months. It's easier to be brave in a crowd.

The linky will stay open until the weekend for any final Moby-Dick posts.
Good-bye, and good luck to ye all - and this day three years I'll have a hot supper smoking for ye in old Nantucket. Hurrah and away!

Friday, 9 August 2019

Moby-Dick - Check in Post #1

I've been so absorbed and fascinated by these early stages in our #MobyDickReadlong that this first post has come along much faster than I initially thought. I may, or may not, continue this level of enthusiasm as we go along!

Below are my notes and research, favourite quotes and points of interest...with a few challenges (in  bold) for you to join in.

Etymology & Extracts:
  • the work of a consumptive "He loved to dust his old grammars; it somehow mildly reminded him of his mortality."
  • GAWURA - whale in Dharug & Dharawal language - my Aussie contribution to the list. 
    • What is the indigenous word for whale in your local area?
  • the sub-sub-librarian "random allusions to whales".
  • "Prior to the whaling era, Nyungar people, including the Mineng, had traditionally consumed whale meat only on an opportunistic basis when animals stranded on the beach or carcasses washed ashore. When this vast bounty of meat became available, it acted as a trigger mechanism for nearby groups to gather and feast. Meat was roasted or eaten raw and the people rubbed blubber on to their bodies. There was a festive air to the week-long gatherings." (Nebinyan's songs) My Aussie contribution to the extracts. 
    • What's your favourite whale extract, quote, poem that wasn't included in Melville's list?
Jibbon Aboriginal rock engravings in Royal National Park, south of Botany Bay. Photo: David Finnegan

Chapter 1: Loomings
  • I was challenged by Nancy to find the symbolism behind the names chosen by Melville. 
    • "Call me Ishmael" - A biblical name meaning ‘God has harkened’. 
    • A name that symbolises orphans, exiles, outcasts & wanderers. 
    • Refers to Genesis 16:11 ‘Behold, thou art with child, and shalt bear a son, and shalt call his name Ishmael.’
  • description of depression - "whenever it is a damp, drizzly November in my soul".
  • humour - "Pythagorean maxim" - a reference to Pythagoras' dislike of beans because of their relationship to flatulence. 
    • A fart joke in the first chapter. Nice one Herman!
  • philosophy - 
    • "the ungraspable phantom of life"  
    • "there is all the difference in the world between paying and being paid".
  • rhyming - "I am tormented with an everlasting itch for things remote. I love to sail forbidden seas, and land on barbarous coasts." 
    • I only noticed the lovely rhythm between these 2 sentences when I listened to the Whale, Whale, Whale podcast on Wednesday.

Chapter 2: The Carpet-Bag
  • Compounds and alliteration - "the swinging sign had a poverty-stricken sort of creak to it."

Chapter 3: The Spouter-Inn
  • Fanda found a version of the painting that Melville spent almost two pages in describing! 
    • "in a great hurricane; the half-foundered ship weltering there with its three dismantled masts alone visible; and an exasperated whale, purposing to spring clean over the craft, is in the enormous act of impaling himself upon the three mast-heads."
Aaron Zlatkin, The Spouter-Inn–Revealed, oil on canvas, 1996

  • word play - "a boggy, soggy, squitchy picture".
  • "skrimshander" (see image below)
  • Bartender called Jonah!
  • Bulkington - 
    • "this man interested me at once; and since the sea-gods had ordained that he should soon become my shipmate (though but a sleeping-partner one, so far as this narrative is concerned)." 
    • A tall man with "noble shoulders and a chest like a coffer-dam", "fine stature" - bulky in fact?! 
    • And mysterious - "slipped away unobserved", "I saw no more of him till he became my comrade on the sea."
  • Queequeg symbolism - 
    • name is devoid of any meaning. 
    • He's a symbol of all mankind, exotic and foreign, pagan with Islamic beliefs, democratic, equality, bringer of knowledge, source of enlightenment, resourceful and loyal, based on Te Pehi Kupe.
  • "Ignorance is the parent of fear."
  • "Better sleep with a sober cannibal than a drunken Christian."

Chapter 4: The Counterpane
  • Homo-eroticism - "I found Queequeg's arm thrown over me in the most loving and affectionate manner. You had almost thought I had been his wife."
  • lots of references in this chapter to 'civility', 'savages', 'propriety', 'indecorous', 'breeding' 
    • Who is civilised and respectful and who is not?

Chapter 5: Breakfast
  • philosophy - "a good laugh is a mighty good thing".
  • Queequeg not only shaves with his harpoon, he eats with it as well!

Chapter 6: The Street
  • "any considerable seaport will frequently offer to view the queerest looking nondescripts from foreign parts."
  • "harpooners, cannibals and bumpkins".
  • "and the women of New Bedford, they bloom like their own red roses".

Chapter 7: The Chapel
  • foreshadowing - "by the murky light of that darkened, doleful day read the fate of the whalemen who had gone before me. Yes, Ishmael, the same fate may be thine."
Seaman's Bethel, New Bedford, 1968
On Podcasts:
  • I have now listened to the first six chapters of the Moby-Dick Big Read. I really wanted to like this format. I liked the idea of having famous people and regular people read a chapter each, but as Fanda has already mentioned, the quality of the reading and the production is uneven. It feels redundant to read and listen to exactly the same thing. So I am abandoning the Big Read for now, but will keep it in reserve for some of those detailed whaling chapters I keep hearing about, where I may like to read and listen at the same time.
  • However, it is worthwhile to visit the webpage for each chapter just to see the 136 amazing artworks collected there. Below is the example from Chapter 1.
  • They also remind us that "The slaughter of whales continues. Every year, over 2,000 whales are killed for profit." They provide a place to donate to help stop whaling if you wish.
Albus, 2009 by Marcus Harvey
Courtesy of White Cube
  • The podcast I will continue with though is Whale, Whale, Whale. It is an annotated reading of each chapter. Kevin invites friends in to discuss each chapter with him, so that the reading is interspersed with questions, answers, observations and modern takes on the old language. On a car trip on Wednesday, I had the chance to catch up on the first seven chapters. So far they have gone into all the notes covered in the Power Moby Dick site plus with humorous asides. They have managed to compare Ishmael to the TV character Frasier and the Spouter-Inn to the bar in Cheers. They have also discussed that loving or hating Moby-Dick is a choice, 'the slog is real, but it is the thing that makes it.' Right now, I couldn't agree more. The only downside is that Kevin has only got to chapter 32 and seems to have run aground back in February. I will be getting on twitter to encourage him to set sail once again.

Adaptations: I'm starting a list of book adaptations of Moby-Dick. Please let me know if you come across anymore.
  • And the Ocean Was Our Sky by Patrick Ness, 
  • Railsea by China Mieville, 
  • Ray Bradbury' Leviathan '99
  • The Whites by Richard Price 
  • Geronimo Stilton Classic Tales graphic younger reader version 
  • Kit de Waal's Becoming Dinah

Articles: Thanks to the 200th anniversary of Melville's birth on the 1st, a number of articles blossomed online. A selection is included below.
  • Subversive, queer and terrifyingly relevant: six reasons why Moby-Dick is the novel for our times by Philip Hoare 30/7/2019
    • He calls Moby-Dick 'the Mount Everest of literature: huge and apparently insurmountable, its snowy peak as elusive as the tail of the great white whale himself.'
    • 'Not only is it very funny and very subversive, but it maps out the modern world as if Melville had lived his life in the future and was only waiting for us to catch up.'
    • He compares Ahab's chase of the white whale to George W. Bush's hunt for Osama Bin Laden and Trump's obsession with building a wall.
    • He says that Moby-Dick 'is a metaphor for a new republic already falling apart, with the pursuit of the white whale as a bitter analogy for the slave-owning states.'
  • How Herman Melville's 'Moby-Dick' anticipated modernist writing by Jochen Kürten 31/7/2019
    • Kürten says that only 3000 copies of Moby-Dick were sold during Melville's lifetime. He was not rediscovered until the 1920's.
    • He 'broke away from traditional story telling methods of the day' utilising 'different interpretive possibilities'.
    • He claims that Melville 'anticipated Franz Kafka's prose & the existential currents in philosophy.'
  • The Encyclopedic Genius of Melville’s Masterpiece: On Moby Dick as a Way of Seeing the World by Suzanne Conklin Akbari 1/8/2019
    • She claims that she is haunted by sections of the book - including the Extracts - where she sees 'order just beneath the surface'. Melville's 'encyclopaedism promises that there is a system of order.'
    • Melville's lens is the whale. She calls him an 'architect not builder'.
    • Compares Melville's lists to Bartholomaeus Anglicus - De Proprietatibus rerum (On the Property of Things).
    • 'As readers, we inhabit a peculiar place in time, both anchored in our time and also adrift within the time of the book'.
    • Suzanne has her own literature based podcast called The Spouter-Inn.
  • Herman Melville is 200, but 'Moby-Dick' is very 2019 by David Shaerf 1/8/2019
    • Shaerf focuses on the universality of Moby-Dick - 'Melville wasn't simply writing about whales, he was writing about the human condition (and whales).'
    • 'Melville covers topics such as race and religion, gender and sexuality, environmentalism and politics in ways that seem much more aligned with contemporary sensibilities than the more puritanical mindset that prevailed during Melville's lifetime.'
    • Melville was aware of the social norms he was questioning 'I have written a wicked book'.
    • Shaerf has also produced a film Call Us Ishmael -


How is your Moby-Dick journey going so far?

I'm thrilled to have so many of you reading along with me and joining in on twitter and instagram. My challenge this week is to take a photo of your edition of the book in the wild - preferably near a body of water, since "meditation and water are wedded for ever"! Share on your favourite social media site.
Remember to pop your blog links for #MobyDickReadalong posts here.